Listen to Anna’s reading of Undone in the face, a new work produced for Whitstable Biennale’s Journal from material she generated during a residency at St John’s College Oxford in Spring 2019. The recording is followed by a conversation with Whitstable Biennale performance curator Keira Greene, in which Anna describes her work with reading groups and voice recognition software, as well as the ideas and texts informing her work.
Creaking Breeze Trio in conversation with Keira Greene
As a part of Whitstable Biennale 2018, on 10 June, between 4:17pm and 5:17pm The Creaking Breeze Trio performed their new composition Slack Fulcrum Twelfths (Green Vitriol) on The Street, a spit of shingle projecting into the sea at Whitstable. Here the trio are joined in conversation by Whitstable Biennale 2018 performance curator Keira Greene to discuss the composition, which was guided by a series of letters about an imaginary band described in Nathaniel Mackey’s ongoing experimental fiction project From A Broken Bottle Traces Of Perfume Still Emanate.
Dave Kane, Alex Neilson, Chris Sharkey & Alex Ward: Live at Contrapop 2018
On the afternoon of 4 August 2018, as part of a partnership between Whitstable Biennale and Contra Pop Festival, Dave Kane (double bass, Leeds), Alex Neilson (drums, Glasgow), Chris Sharkey (electric guitar, Leeds) and Alex Ward (clarinet/electric guitar, London) performed as an improvisational quartet for the first time. Their 45-minute set took place in a marquee on Ramsgate beach in front of a captivated audience of around 250 people.
Listen to the set here, and read a transcript of the group interview conducted immediately after the performance by Adam Coney, an improvisational guitarist and music scholar based in Ramsgate.